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Alessandro Vittoria
Alessandro Vittoria (1525–1608) was an Italian Mannerist sculptor of the Venetian school, "one of the main representatives of the Venetian classical style"〔Federico Zeri and Elizabeth E, Gardner, ''Italian Paintings: Venetian School'' (Metropolitan Museum of Art) 1973, p. 87, Portrait of Alessandro Vittoria by Paolo Veronese, acc. no. 46.31 ((on-line catalogue )); the sculptor poses with a model of his ''Saint Sebastian'' for the Montefeltro altar in the Church of San Francesco della Vigna, Venice, of which small bronzes exist (e.g. Metropolitan Museum, acc. no. 40.24)〕 and rivalling Giambologna as the foremost sculptors of the late 16th century in Italy.〔Thomas Martin, ''Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodelling Antiquity'' (Oxford University Press) 1998.〕
==Biography==
Vittoria was born in the Italian city of Trent and was the son of a tailor. Vittoria was trained in the atelier of the architect-sculptor Jacopo Sansovino; he was a contemporary of Titian whose influence can be detected in his compositions. He was a virtuoso in terracotta, often presented with gilded surfaces, marble and bronze. Like all Italian sculptors of his generation, Vittoria was influenced also by Michelangelo and by the Florentine Mannerist, Bartolomeo Ammanati. The closeness of his associations in projects by architects Sansovino, Sanmicheli and Palladio, working with painters Titian, Tintoretto and Veronese〔Veronese's portrait with a model of his ''Saint Sebastian'', ca 1570, is at the Metropolitan Museum of Art ((On-line catalog )).〕 placed him squarely among the protagonists of the Cinquecento art world in late 16th-century Venice.
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